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| User ID: | 574868 | | Gender: | Male | | Interested in Meeting people for: | Friends | | Status: | Single | | Age: | 9 | | Occupation: | -----sorry----- | | Location: | Cocos (Keeling) Islands | | Hometown: | -----sorry----- | | Hobbies and Interest: | -----sorry----- | | Affiliations: | -----sorry----- | | Companies: | -----sorry----- | | Schools: | -----sorry----- | | Favorite Foods: | -----sorry----- | | Favorite Drinks: | -----sorry----- | | Favorite Musics: | -----sorry----- | | Favorite Books: | -----sorry----- | | Favorite Tv Shows: | -----sorry----- | | Favorite Movies: | -----sorry---- | | Quote: | -----sorry----- | | About Me: | -----sorry-----
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Bass Clinic - Soloing
Take your bass playing to a new level by:
-Discovering the power of Pentatonic/Blues Scales, Modes and Super-Impositions.
- Choosing the right soloing device for each musical situation and genre.
- Locking into a Rhythmic Resolution.
-Using the harmonic structure of a song to do the work for you.
-Playing “Out” but sounding “In.”
,,,,don't forget yoo,,,
Acoustic tone:
1) sound of the bass unplugged
2) tone reminiscent of resonant qualities inherent in an acoustic instrument (ie. piezo-like)
Action: the distance between the strings and the fingerboard typically referred to as high, medium, or low
Active pickup: a pickup with an internal preamp requiring a battery to produce volume of any use. Typically assoiciated with EMG's, a Hi-fi tone, and no noise. Often misused in reference to a bass with an onboard preamp and passive pickups.
Aggressive:
1) Generally meaning a "hot" or "high gain" sound. "In your face" as opposed to "smooth" or "mellow".
2) It can also refer to certain EQ characteristics such as a harsh top, grindy mids, or a woofy bottom
3) An attack which is hard, sharp, snappy, etc.
Air:
1) typically associated with speakers and literally the amount of air it moves which affects the sound projected
2) a noticeable void in frequency response or thinness to tone
Articulate:
1) strong mids, especially upper mids
2) clearly defined tones
(Reflective artist: Chris Squire)
Attack:
1) process of setting a string in motion
2) rate of response of a pickup to the input signal
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Bass Frequency Range for bass:
Bass: 200 Hz down; Lo Mids: 200 - 400 Hz; mid mids: 400 - 700 Hz; upper mids: 700 - 1kHz; treble: 1kHz up
(reflectively lower than typical studio ranges)
Bark : strong upper mids and low treble. (Reflective artist: Larry Grahm)
Beefy: see fat
syn. full, thick, solid.
Bite: The ability of a tone to be noticed by virtue of it's (typically) treble/midrange pleasingly gritty edge.
Boom (boomie): bass and/or midrange tones lacking punch and definition which produce an apparent hollow wall of sound.
Boxie: higher frequency less pronounced boom.
Bright: having an abundance of high end response - emphasing higher frequencies in varying degrees. ant. dark
Bulge: fatter/longer decaying punch tone - typically with a noticably pronunced initial punch accompanied by a fairly harmonic thinner fading decay - floor tom like
Burp: primarily mid frequency tone that essentially sounds like the word "burp" verbalized. (Reflective artist Jaco Pastorious)
Buttery: extremely smooth
syn. creamy
Buzz Saw Distortion: distortion reminiscent of a saw missing teeth rather than a tube amp being overdriven. (Reflective artist Tim Commerford)
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Capacitor: A device which can store an electric charge. Probably the cheapest, easiest, most dramatic means of altering tone in a bass from changing component(s). Standard bass is .05 mfd, the higher the value the bassier the tone. Conversion chart for various expressive values: http://www.justradios.com/uFnFpF.html
Choke (choking):
1) a tone that dies prematurely (typically associated with bending).
2) a coil that is used to regulate frequency response - can literally be used to create an onboard 2 band (or more) passive circuit.
Chunky: pronounced attack resulting in a Big, fat, loud tone with resonance below upper frequencies. Lower frequency crunch.
Clean: well defined, undistorted, undadultered tone
Clear (clarity): distinct or defined tone [ant. muddy]
Coil Tap: a split coil pickup designed with a 3rd lead "tapped" in between the start and finish of the winding resulting in essentially two starts to the coil and functionally two different coil lengths within a single coil - thereby creating different tone. More common in older pickups - rare these days. Splitting the coils of a dual coil pickup is often mis-termed a coil tap.
Colored:
1) noticeable features of tone beyond the fundamental that add desireble texture
2) variable - qualities other than the acoustic properties of the bass or that override the acoustic properties
Compressed: a characteristic wide peak frequency envelope typically resulting in a more desireable definition of tone with the trade off of a proprotionately strangled feel and lack of response to dynamic range
Creamy: extremely smooth
Crunch: tone that is noticeably metallic, edgey, and brittle on top of lower frequency resonance
Cut: tone which is clearly distinguishable in a band setting
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Damping: a technique to dull, deaden, diminish string ring resulting in a desired degree of decay. Often referred to as palming when using the bridge hand and used with the fretting hand to prevent resonation from adjacent strings not being played. syn. muting.
Dark: emphasing lower frequencies in varying degrees. ant. bright
Decay: rate of reduction of tone following attack
Definition: The quality of a sound that allows it to be distinguished from other sounds.
Dirty: unclear tone typically produced by high inductance pickups which under given settings and conditions will cause the amplified signal to distort - the pickup itself does not produce a distorted output.
Distortion: technically any difference, apart from volume level, between an original signal and one that has been processed. Desireable disortion includes such controlled effects as fuzz, etc.
Dry: no incorporation of effects into the signal chain
Dual coil pickup: a pickup up with two coils most commonly referred to as a humbucker primarily becuase they make up the vast majority of such pickups.
Dual sound: a term coined by Dimarzio for series/parallel
Dub: pronounced low frequency tone primarily associated with studio recorded Reggae, ie Dub Reggae (Reflective artist: Jerry Jemmott)
Dummy coil: an additional coil that does not sense the strings but functions to cancel hum.
Dynamics:
1) The amount of fluctuation in level of an audio signal
2) the intentional playing of instruments loudly or softly at different times - typically in unison.
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Edge (edgey): distinguished, difined hardness to tone
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Fat:
1) lots of bass and low mids; heavy in low frequencies
2) apparent broad frequency range
syn. beefy, full, thick, solid.
Farty (farting):
1) speaker term - when the magnetic circuit loses control of the voice coil at high volumes on low bass notes. 120hz ripple
2) excessive low with slow decay
Flabby(flabby): Farty
Flange effect: A delay-based effect that produces a "whooshing" sound that sweeps across the frequency spectrum (created and coined by John Lennon)
Focused: see narrow
Full: see fat.
Fundamental: the lowest frequency that is present in the sounding of a pitch
Funky:
Fuzz: a very controlled distortion-like tone that emphasizes harmonics and sustain in a streaming line of signal. Produces a relatively soft, thin, buzz-like tone. (ei Stone's "Satisfaction").
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Glassy: varibable: strong in the upper treble range, with a significant loss of lows; excessive top end; sharp piercing, brittle highs
Grindy(grind): (Reflective artist: Jason Newstead)
Grit Gritty:
Growl:
1) Primarily a pronounced midranged (can vary low to upper) grrrrrrrrr-like tone. Often enhanced by aggressive technique, playing near the bridge, and accenting the bridge pup.
2) Gallien-Krueger definds growl as-a small amount of even order harmonic distortion (UrbanAssault415)
3) strings can produce a "string growl" exhibited during slides resulting from the strings lightly grazing the frets - becoming string rattle when the action is too low.
Grunt:
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Harmonics:
1) whole number multiples of the fundamental frequency (3rds, 5ths, etc.)
HiFi:
1) High Fidelty - clear, refined, controlled, recorded-like quality with no noise
3) historically - having redeeming qualties such as full range frequency response yet tends to be relatively flat, boring, and colorless as in the comparison of recorded versus live
(Reflective artist: Marcus Miller)
Honk (honky): Nasal/megaphone sounding resulting from a peaked midrange (typically 800 to 1200hz) that is up several db from the low end.
Hot: comparatively loud; high output (pup roughly 10K up)
Hum: Loosely - extraneous noise introduced into the signal albeit 60 cycle, microphonics, poor grounding, etc.
Humbucking(er) pickup a dual coil pickup which effectively cancels 60 cycle and extaneous hum/noise by using two coils wired out of phase and two magnets oriented with opposite polarities. The result is typically a less clear, but fuller, lower frequency tone with no noise.
Humcanceling pickup: typically a single coil pickup designed to reduce 60 cycle hum/extraneous noise, the success of which varies in degrees usually at the expense of clarity and higher frequencies.
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Jazz pickup: derived from the original Fender single coil Jazz bass pickups which set the standard for their dimensions. The dimensions no longer reflect the internal construction but has resulted in the overwhelming majority of bass pickups constructed of any single dimension, to be jazz pickups. Generally associated with a brighter, clearer tone. | | Who I Want to Meet: | ,,,Allah S.W.T,,,
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hmmmp,,, | | Media Box: | -----sorry-----
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